I agree with the review in general but I felt like Beltrami's score (apart from maybe one or two moments of 'jump scare') provided an emotional language of its own to fill in the silence from the characters. I noticed it more during the quiet moments, and realized that unlike in most noisy films, here Beltrami had a chance to truly grab full control of the emotional narrative free of audio distractions. I wondered how a 'quiet' movie might fare in a theater where people are often noisy and uncooperative with dead silence... but I need not have worried, since Beltrami kept everyone riveted and respectful.